In the past couple of years, I've gained a new appreciation for short story collections. The quick narratives make for easy reads during my brief reprieves from the hustle and bustle of life. They also are the perfect cure for a reading slump. It is much easier to finish a short story than a full-blown novel. As I've delved into more short stories, I am consistently pleased with the level of detail and development that some of them achieve. Beyond the satisfaction that comes with reading these short works, short stories have introduced me to new authors. From acclaimed Pulitzer winners like Adam Johnson to indie authors like Eric Shonkwiler, short stories have turned me into a fan of authors who I would have otherwise never read. After reading Things We Lost in the Fire, I'm excited to add Mariana Enriquez to that list.
Enriquez draws upon the history and legends of Argentina to compose a collection of stories that balance on the edge of myth and reality. In The Inn, my favorite story of the group, two girls are struggling to come to terms with their sexual orientation. Beyond the difficulties that their relationship brings, one of the girls is facing a new challenge at home. Her father was a model employee as a tour guide for a local inn. That's why the girl finds it so hard to believe that the owner fired him. Thirsting for revenge, the two girls decide to break into the inn and enact a plan that will have long-lasting implications on the establishment. Unbeknownst to them, more sinister entities are at play.
I really enjoy the way that Enriquez combines supernatural elements into these portraits of Argentinian life. The people in her stories are all facing different challenges that are only made more difficult by the fact that they live in the slums. The problems that the characters face, crumbling relationships, poverty, disability, all touch upon universal themes that are easy to relate to. By giving these stories a tinge of fantasy, Enriquez adds a sense of urgency and suspense to what would have otherwise been rather pedestrian tales. There is no denying the unique voice and place that fill the stories in Things We Lost in the Fire. With this collection, Mariana Enriquez makes a bold statement about who she is as an author and the kind of writing we can expect from her in the future.
For more information, visit Amazon and Goodreads.
(2017, 8)
Showing posts with label Myth. Show all posts
Things We Lost in the Fire: Stories by Mariana Enriquez
Wolfhound Century by Peter Higgins
In Wolfhound Century, author Peter Higgins imagines a fantastic, totalitarian state, inhabited by grim characters. In other words, Higgins has crafted his vision of 1940's Russia. The story mainly follows investigator Vissarion Lom, as he attempts to capture a terrorist. Intrigue is instantly put on display as Lom is ordered to report directly to the head of the Secret Police. Despite the image of power and order that the state projects, Lom discovers the state to be full of power struggles and battles between the state police and radical revolutionaries.
Adding to all of this is a muddied attempt by the author to impart elements of fantasy and Russian folklore to this otherwise straight-forward crime thriller. When I first read of the crime leader dealing with a possession of the mind reminiscent of something out of an exorcism film, I immediately felt disconnected from the story. While I believe that Higgins does a commendable job at building his vision of Russia, there comes a point when too many details become cumbersome and distract from the story.
I'm convinced that within the many names of places, people, and muddied descriptions of Russian myth, there is a good story. Despite never really getting into a strong flow, I couldn't help but continue reading to the next chapter (short chapters probably helped with this issue). The story itself is fairly convincing, and all of the plot lines come to a satisfying point. Unfortunately, the narrative just stops, which I'm assuming means a sequel to this novel is in the works. For my tastes, however, I just can't get over the style of Higgin's writing to justify reading a future installment.
For more information, visit the author's website, Amazon, and GoodReads.
(2013: week 13, book 10)
Adding to all of this is a muddied attempt by the author to impart elements of fantasy and Russian folklore to this otherwise straight-forward crime thriller. When I first read of the crime leader dealing with a possession of the mind reminiscent of something out of an exorcism film, I immediately felt disconnected from the story. While I believe that Higgins does a commendable job at building his vision of Russia, there comes a point when too many details become cumbersome and distract from the story.
I'm convinced that within the many names of places, people, and muddied descriptions of Russian myth, there is a good story. Despite never really getting into a strong flow, I couldn't help but continue reading to the next chapter (short chapters probably helped with this issue). The story itself is fairly convincing, and all of the plot lines come to a satisfying point. Unfortunately, the narrative just stops, which I'm assuming means a sequel to this novel is in the works. For my tastes, however, I just can't get over the style of Higgin's writing to justify reading a future installment.
For more information, visit the author's website, Amazon, and GoodReads.
(2013: week 13, book 10)
Congratulations to Andrea Corley for winning an ARC of this novel!
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