A Book A Week

I’ve often preached the good word about author Stephen King, urging readers to look beyond his horror proclivities—most of which he hasn’t fully embraced in decades—to recognize that he is, quite simply, one of the best authors writing today. His prose flows effortlessly, his plots are consistently imaginative (even if he doesn’t always stick the landing), and above all, he creates characters that feel fully lived-in. While I do enjoy the eerie, often unsettling situations that form the backbones of many of King’s novels, it’s the characters who keep me coming back.

Among the most compelling of those characters is Holly Gibney. What began as a supporting role in the Bill Hodges trilogy has evolved into something much larger—she’s now appeared in two standalone novels, a novella, and she continues to grow in complexity with each new outing. Clearly, she’s taken up as much space in King’s imagination as she has in ours. With Never Flinch, King brings Holly back for another dark, gripping mystery, cementing her place as one of his most enduring protagonists.

Detective Izzy Jaynes is at her wits’ end with her latest case. It begins with the Buckeye City Police Department receiving a letter from a disturbed individual threatening to kill thirteen innocent people and one guilty person, retribution, they claim, for a jury that wrongfully convicted an innocent man. The threat turns all too real when a murder victim is found clutching the photo of a juror involved in that conviction. When a second body turns up under the same circumstances, Izzy knows she needs help, and fast. She turns to her friend Holly Gibney.

Holly, meanwhile, has her hands full. As the head of the private detective agency Finders Keepers, she’s juggling multiple cases while working to keep the business afloat. Her latest assignment is serving as bodyguard to Kate McKay, a controversial and outspoken women’s rights activist on a multi-city speaking tour. While McKay’s events draw passionate supporters, they also attract aggressive detractors—one of whom has begun actively targeting her. What starts as disruptions quickly escalates, and Holly is brought on to provide protection. The task is anything but easy. Kate is headstrong, and the stalker is growing bolder, driven by wrath and a dangerous sense of righteousness. With two intense cases demanding her attention, Holly must work quickly to untangle both before more lives are put at risk.

In Never Flinch, Stephen King puts his beloved hero Holly Gibney at the center of two intersecting mysteries. There's no supernatural twist this time. As with her previous outing, the real horror lies in the monstrous acts ordinary people are capable of. Both plotlines build toward a convergence that showcases King at his page-turning best. That said, I found myself wanting to enjoy this novel more than I actually did.

Part of the issue lies in the setup of the two central cases, both driven by timely but overtly political themes. The injustices of the court system and the attacks on women’s rights are undeniably relevant, especially in today's climate. I often agree with King’s views, but here the political messaging felt more forced than organic, unlike the seamless way he incorporated COVID into Holly. The themes themselves are worthy. It's their execution that feels heavy-handed.

Then there’s the handling of queer characters. There is one possibly transgender character and two gay characters who seem to exist mainly to serve tragic ends. The language used doesn’t always reflect contemporary understanding or nuance, either. While I know King is passionately progressive on many issues, his portrayal of queer characters continues to lag behind the care and depth he affords others.

These missteps might have been easier to overlook if the mystery had delivered more surprises. The story builds nicely and ends in a satisfying place, but it all feels too predictable. Never Flinch is a decent crime novel, but it doesn't reach the heights of the best entries in the Holly Gibney series or in King’s larger body of work. I enjoyed it, but I expected more.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 46)

Stephen King needs no introduction. His name has been synonymous with bestselling novels for decades. However, it's worth noting that King is often unfairly categorized solely within the horror genre. In reality, his talent for crafting deeply complex characters and gripping narratives is what has solidified his position as a literary icon. Consider his self-proclaimed "favorite character," Holly Gibney. She debuted as a minor character in the initial book of his Bill Hodges trilogy in 2014, but her impact on both the author and his readers was so profound that she has since appeared in four additional books. This culmination has led to King's latest work, Holly, where the private detective takes on a solo case that promises to enthrall not only King's loyal fan base but any reader who appreciates a good mystery.

The story begins during the height of the pandemic, a challenging time for everyone. Holly finds herself grappling with the recent loss of her mother, a tragedy exacerbated by her mother's skepticism regarding the virus's risks. Her private investigating partner, Pete, is also sidelined due to his own battle with COVID-19, and the operations of their agency, Finders Keepers, are temporarily suspended. Given Holly's tendency toward hypochondria, the new normal of isolation and health protocols actually suits her. When she receives frantic pleas for help from Penny Dahl, a mother desperately searching for her missing daughter, Bonnie, something within Holly is stirred. Whether it's the mother's overwhelming distress or Holly's own grief over her mother's passing, she can't ignore this case. Despite her reservations, Holly decides to take on the investigation, embarking on a solo journey to unravel the mystery.

Blocks away from the last known location of Bonnie Dahl stands the unassuming residence of Professors Rodney and Emily Harris. These octogenarians have mostly retired from their academic careers but maintain an active social life, hosting gatherings for fellow scholars and students, projecting an image of bourgeois respectability. To outsiders, the Harrises appear to be an ordinary elderly couple enjoying their retirement. However, beneath this façade lies a dark secret hidden in their basement, a secret that demands cunning, patience, and ruthlessness. It is this very secret that holds the key to the Bonne Dahl case. As she delves deeper into the investigation, this secret may very well cost Holly her life. 

Holly sees Stephen King deliver an enthralling missing person story that diverges from his typical supernatural horror realm, firmly grounding itself in reality. This departure highlights that genuine horror can lurk in our own neighborhoods and emphasizes the unsettling notion that individuals who seem entirely ordinary may hide unimaginable darkness within them. Holly Gibney, the central character, receives remarkable development, struggling with the universal grief and uncertainty experienced during the pandemic. While some may interpret King's commentary on COVID deniers as overtly political, it serves to magnify the palpable reality of those times. Holly is a rare example in King's repertoire where the narrative exhibits a clear and sensible direction, even if the conclusion feels too neatly tied up. Altogether, this novel reinforces King's reputation as one of the foremost masters in the field. Each new novel he writes is a literary gift to the world, and I certainly hope he has more to share with us. 

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 82)

“End of watch is what they call it, but Hodges himself has found it impossible to give up watching"

I'm an avid reader, so it's not uncommon for a few books to slip through the cracks. In anticipation of Stephen King's latest release, Holly, which came out earlier this month, I had a realization—I had missed reading End of Watch, the final installment in the Bill Hodges Trilogy, and the third book featuring the character Holly Gibney. It's a bit puzzling, considering I had already read the first two books and also enjoyed The Outsider and If It Bleeds. Somehow, I managed to overlook this particular story. Determined to correct this oversight, I promptly borrowed End of Watch from my local library. I can confidently say it provides a satisfying conclusion to the narrative that commenced with Mr. Mercedes.

Brady Hartsfield, the deranged mastermind behind the horrifying Mercedes Massacre, has languished in a vegetative state ever since his nefarious plans to bomb a massive concert were thwarted by the unlikely heroes Bill Hodges and Holly Gibney. Holly, in particular, is the one responsible for delivering blows to his head that left him seemingly devoid of cognitive function. Hodges, with his keen instincts, refuses to be deceived. He recognizes true evil when encountering it and remains convinced that the monster is still lurking "in there" somewhere within Hartsfield. The vacant stares and the wheelchair-bound existence do little to convince him otherwise.

Hodges hasn't quite settled into retirement. The cop in him never truly fades. Even in his new role as a private detective, he finds himself yearning for the thrill of the chase. When his former partner calls upon him and Holly to investigate a suicide victim connected to the original Mercedes case, Hodges is chilled by what he discovers. While the police perceive it as a straightforward, self-inflicted death, Hodges cannot shake the gnawing suspicion that Hartsfield may somehow be linked to this tragedy. Could it be possible that the malevolent presence is orchestrating terror from the confines of his hospital bed?

I've always admired how Stephen King used the first two books in the Bill Hodges series to illustrate that true horror can exist in the real world. Instead of relying on supernatural monsters, these stories centered around an ordinary man determined to unleash evil upon the world. It was a chilling departure from King's usual style and deepened my appreciation for his storytelling skills.

End of Watch takes a slightly different tone from the first two books. While it continues to explore profound themes like the battle between good and evil and the struggle to let go of one's past, King introduces a new element to the narrative. Without giving away too much, a supernatural aspect is woven into the story, adding an eerie new layer to the tale. If I had read this book in its intended sequence within the series, I might have found this shift into the realm of fantasy somewhat unexpected. It arrives without a clear explanation, requiring readers to simply accept it and enjoy the ride. However, when considered within the broader context of this literary world, including the newer books featuring Holly, the introduction of the supernatural element begins to make more sense.

Regardless of the subject matter, End of Watch is a fitting conclusion to the Bill Hodges series. It kept me engrossed in its pages, and I was apprehensive about what terrors would unfold right up to the very end.

For more information, visit the author's website, Amazon, and Goodreads. 

(2023, 61)