A Book A Week

Representation matters. The presence of diverse and relatable characters in literature and media plays a crucial role in enabling individuals to embrace and accept their true selves. Casey McQuiston's debut novel, Red, White, & Royal Blue, achieved bestselling status, in part due to its significant representation within the LGBTQ+ community. When I initially read the book in 2019, I celebrated its diverse ensemble, the queer love story it portrayed, and its profound impact as a form of representation for LGBTQ+ individuals. When news broke that Amazon had acquired the rights to adapt this beloved story into a film, I greeted the news with a blend of optimism and caution. Could the filmmakers capture the book's magic and do justice to its representation?

The film faithfully adheres to the core plot of the novel. Alex Claremont-Diaz, portrayed by Taylor Zakhar Perez, holds the esteemed position of First Son in the United States. His mother, performed by a Texas-drawled Uma Thurman, is the first woman to occupy the highest office in the nation. The narrative begins with Alex's intense rivalry with Prince Henry, played by Nicholas Galitzine, the younger member of the British royal family. Their disruptive behavior at the wedding of the Prince's elder brother, who is also the future king, threatens to spark a major international incident. They are compelled to fabricate a close friendship and embark on a goodwill visit to the United Kingdom to avert this crisis.

As the two navigate the complexities of this fabricated friendship, their rivalry gradually transforms into a genuine and profound connection, eventually blossoming into a romantic relationship. However, their path is fraught with challenges, especially the imperative to conceal their love amidst the relentless public scrutiny accompanying their high-profile lives. Royal traditions bind Henry, and Alex strives to uphold a carefully cultivated image during his mother's contentious re-election campaign. As their love for each other deepens, they must continue to work diligently to keep it hidden from the public eye.

The film adaptation of Red, White, & Royal Blue is about as good as one might expect from a straight-to-streaming adaptation. While the novel's core plot remains intact, the storyline has noticeable omissions. Some characters are condensed into one, and certain changes alter the story's impact compared to the book. This is understandable, given the time constraints of the film medium, but it does make the narrative feel forced compared to the original. The film includes some wide shots where the actors are clearly in front of green screens, and the backgrounds are obviously computer-generated landscapes. While this choice didn't significantly affect the movie, it gave it a simpler aesthetic reminiscent of productions you might find on the Disney Channel. Each time this occurred, I wished the shots had simply been omitted. 

The film excels in portraying the chemistry and charisma of the two lead actors. The spark between Alex and Henry, present in the book, is brought to life authentically and keeps viewers invested in the film. The supporting cast also delivers fantastic performances, fully committing to their roles. While it may not be the best movie of the year, it effectively represents the themes that resonated with many readers of the novel. Ultimately, this representation strikes a chord with audiences, and the film will likely have a similar impact.

In recent years, my fascination with crime fiction has evolved into a deep interest in the realm of true crime. The narratives that unfold within these works often feel like they belong to the world of fiction, yet the knowledge that these events actually happened adds a unique layer of intrigue. Last year, I was captivated by a true-crime memoir and retrospective penned by Paul Holes, an investigator whose involvement in numerous high-profile cases over the decades was truly engrossing. Beyond his captivating insights into high-profile cases, it was his introspective exploration of the toll these investigations took on his personal life that resonated the most. They served as a powerful reminder that every headline-worthy story has a profound impact on the lives of real individuals. 

It's this very idea, the resilience of people navigating the aftermath of unthinkable tragedy, that lies at the heart of investigative journalist Susan Hendricks' new book, Down the Hill. When given the chance to receive a copy of this book from her publisher, I eagerly embraced it. Drawing on her extensive background in broadcast journalism and her personal intrigue with the case, Hendricks delves into the narrative of a tragic double homicide that sent shockwaves through the tight-knit community of Delphi, Indiana.

"Their family always said I love you in place of goodbye. Every single time. Just in case something happened."

Tragedy often strikes unexpectedly. While you witness it on the news daily, you never anticipate it happening to someone like you. Especially not in a safe haven like your own neighborhood. Delphi, Indiana embodied this sense of security, a tight-knit community where everyone knew one another. It was the kind of place where families felt at ease raising their children. When Abby Williams and Libby German planned a day of adventure on their day off from school, exploring the well-trodden hiking trails near Monon High Bridge, it seemed like a simple, harmless decision. The concerns were minimal. Libby's grandmother only reminded her to take a coat for the changing weather. As Libby's sister dropped them off at the trailhead, it was just another ordinary day. Little did they know that it would mark the final time they would ever see Abby and Libby alive.

"There are many dates in a lifetime that you're going to remember: The dates your children are born. The date you're married. The date you buy a first house. The date Abby and Libby went missing."

What began as a missing person case, characterized by concern rather than panic, took a tragic turn as the bodies of Abby and Libby were discovered on the north bank of Deer Creek, approximately a mile from where they were last seen. Susan Hendricks, then a reporter for CNN and HLN, was among the media personnel covering the incident. In the initial stages of reporting, Hendricks was struck by the limited information provided by investigators. The primary piece of evidence revolved around the visual and audio fragments of a disturbing interaction the girls had with an unfamiliar individual shortly before their disappearance—a disconcerting encounter that Libby had captured on her cellphone. This sole lead would become the cornerstone of the case for the years to come. The chilling audio of the man instructing the girls to go "down the hill" reverberated in the thoughts of those dedicated to uncovering the truth behind this devastating event.

Down the Hill sees Susan Hendricks take a detailed look into a crime that captured the nation's attention. The profound tragedy that befell such innocent individuals begs the question of how such horror could occur. Hendricks masterfully portrays the moments leading to the crime and the exhaustive pursuit of justice. The narrative spans from early 2017 to today, with a suspect now arrested and awaiting trial. While the ongoing nature of the case prevents a conclusive ending, Hendricks's storytelling is marked by meticulous care. Her personal connection with the victims' families during her investigation adds a distinct dimension to this true crime account. Their resilience, facing each day with courage while ensuring their loved ones are never forgotten, deeply moved me. Amid their tireless efforts to bring awareness and sustain a years-long investigation, they not only honored their daughters' memory but also offered support to other families grappling with similar tragedies. In the face of an incomprehensibly senseless crime of inhumanity, the families maintained their own humanity, ultimately inspiring the world through their unyielding strength.

For more information visit the author's website, Amazon, and Goodreads. 

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Many epic war novels echo the sentiment that war is hell. Despite my initial fascination with war-related fiction and nonfiction, I found many of these narratives blending together over time. I'm more discerning now, choosing to engage with titles that offer a unique angle. Alice Winn's debut novel, In Memoriam, which centers on a gay couple during WWI, does just that. The book conveys the grim realities of war while also providing a nuanced character study. Amid navigating external battlefields, its protagonists grapple with the internal turmoil they carry within themselves.

Set in the year 1914, during the tumultuous times of World War I, the story begins within the confines of a small English boarding school. As the violent chaos of war rages on, these young men find themselves immersed in the world of poetry and literature, far removed from the actual horrors of combat. This stark contrast in privilege isn't lost on them, and even as news of the valiant soldiers' deaths reaches their ears, the notion of joining the war becomes a tantalizing idea. It offers the prospect of the kind of honorable heroism they've only encountered within the pages of their schoolbooks.

For Gaunt, a student of mixed German descent, the actual battles unfold within. Struggling with his forbidden affection for his charismatic and intelligent friend Ellwood, Gaunt grapples not only with the societal hostility directed at his heritage but also the complexities of unrequited love in a world that won't accept it. Seeking to protect his family and find solace from his inner turmoil, Gaunt enlists in the army and is met with a shocking revelation. Driven by his own motivations, Ellwood has joined the front lines, too. Soon, the entire class is thrust onto the war's brutal stage, forcing them to confront the grim specter of death and the capriciousness of fate.

In Memoriam offers a stark portrayal of the harrowing reality of death and despair within war. Alice Winn's descriptive prose vividly captures the frontlines, evoking scenes that are sometimes emotionally challenging to read. The novel effectively conveys war's immense devastation and loss, painting a grim tableau rarely encountered in fiction. What sets this book apart, though, is its exploration of an additional, equally compelling turmoil. The journey towards self-acceptance, especially in an era hostile to non-conforming sexualities, becomes an absorbing undercurrent. Winn's characters may appear subdued compared to the vivid war scenes, but their growth, stemming from their reactions to external circumstances rather than mere personal agency, adds to their sophistication. The understated yet profound battle against love and shame propels the story forward. The book's emotional impact comes not only from the horrors of war but also from the poignant challenges these young men face. It underscores the idea that just as war presents its own form of hell, life itself can be an arduous journey. In the midst of such adversity, the complex relationships they build become a source of solace and redemption.

For more information, visit Amazon and Goodreads. 

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At the start of August, my family embarked on a journey from Texas to Wisconsin to commemorate my brother and sister-in-law's achievement of earning their PhDs. The celebration of this significant milestone was truly joyful, and the experience was enhanced by the pleasant summer climate. The temperature was notably cooler than the relentless summer heat we were experiencing back home. Throughout our visit, we relished the outdoors, basking in the mild weather. 

My brother found our fascination with the climate amusing, given that in Wisconsin, the summer months are a time for everyone to embrace the sun. It's a different story during the winter months when the cold becomes relentless. As a Texan, I'm not accustomed to such cold temperatures, at least not in reality. While browsing through books at my local library, I came across Hannah Morrisey's debut novel, Hello, Transcriber. The book's setting in the frigid winter of the fictional town of Black Harbor, Wisconsin, allowed me to experience the cold my brother had described, even if only through the pages of a book.

The story unfolds in the bleak backdrop of Black Harbor, an infamously crime-infested city in Wisconsin. At its center is Hazel Greenlee, a woman who finds herself trapped in a life she didn't quite choose. Her marriage is suffocating, the house she lives in is filled with the remnants of her husband's hunting exploits, and her dreams of becoming a writer remain unfulfilled. Amidst this stagnation, she seizes an opportunity to work as a transcriber on the night shift at the local police department. This role offers a glimmer of hope. It's a chance for her writing aspirations to find an outlet, even if it's in the form of transcribing recordings.

Unexpectedly, Hazel's neighbor confesses to involvement in disposing of a body, sparking a series of events tied to a notorious drug dealer known as Candy Man. This confession intertwines Hazel's life with an ongoing investigation, and she becomes entangled with Detective Nikolai Kole, the lead investigator. Her curiosity and desire for a gripping story lead her to collaborate with Kole, embarking on a journey through the darker underbelly of Black Harbor.

As the investigation progresses, Hazel's pursuit of an absorbing story challenges the bounds of her relationships and personal safety. She navigates a treacherous path, grappling with ethical quandaries, endangering her marriage, and possibly beckoning danger closer. Through her pursuit of the truth, Hazel unwittingly finds herself engulfed in the shadows of the city she yearns to break free from.

Reflecting on my experience with Hello, Transcriber, the first word that comes to mind is "atmosphere." Hannah Morrissey skillfully creates a frigid, dark, and vast sense of place that envelops the reader from the very beginning. Her adept descriptions and attention to detail conjure a deeply immersive setting. Within this environment, the characters thrive. Hazel, in particular, emerges as a complex and conflicted individual. Her struggle between societal obligations as a wife, sister, and employee and her compelling fascination with delving into a perilous investigation add depth to her character. I found myself simultaneously rooting for her to make the right choices and daring her to explore the dark case further.

Morrissey's writing style held me captive throughout, even during moments when I wanted to shield myself from the more distressing aspects of the story. While there were a few instances of conveniently placed plot points and extraneous character revelations, they did little to detract from the overall atmosphere of suspense that Morrissey skillfully imbues on every page. Hello, Transcriber is a thoughtfully crafted debut that introduces a captivating new series. It demonstrates Morrissey's storytelling prowess and sets the stage for an intriguing journey ahead.

For more information visit the author's website, Amazon, and Goodreads. 

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After nearly a year, my "Friday Flicks" feature returns to review a movie on the blog. While my trips to the movie theater have become less frequent, I still watch a fair share of films, particularly adaptations of popular novels. While browsing through Netflix, I recently stumbled upon "The Wonder," a 2022 film based on Emma Donoghue's novel of the same title. Having been captivated by the book in 2018, I was intrigued to see how it translated to the screen, especially given that the author was involved as one of the screenwriters. With my curiosity piqued, I decided to dive into the adaptation.

The film commences unconventionally, breaking the fourth wall by introducing us to a modern-day soundstage. An off-camera narrator emphasizes the significance of stories, asserting that "we are nothing without stories." This initial setup aims to establish the narrative we are about to witness. Transitioning from the soundstage to an 1862 setting in post-Great Famine Ireland, the film's camera guides us seamlessly into the historical context, setting the stage for the unfolding story.

In the film, Florence Pugh takes on the role of Lib Wright, an English nurse sent to a remote Irish village. Her mission is to closely monitor Anna O'Donnell, portrayed by Kíla Lord Cassidy, a young girl whom her family claims has not eaten for an astonishing four months, subsisting solely on what they believe to be "manna from heaven." Lib is joined in her task by Sister Michael, a nun, and together, they are entrusted to provide independent reports to a council of local dignitaries. Guided by a firm belief in science and rationality, Lib is determined to uncover the O'Donnells as frauds.

The film's central mystery revolves around Anna, a child who seems steadfast in her convictions. Lib grapples with how Anna, who appears resolute in her claims, could orchestrate such a complex deception. As Lib delves deeper into the enigma surrounding Anna and her family, this inquiry becomes the heart of this story. 

Director Sebastián Lelio's interpretation of "The Wonder" is a visual masterpiece. Each frame is meticulously crafted with the precision of an artist, beautifully capturing the cool Irish atmosphere. Collaborating with the novel's author on the screenplay ensures a faithful representation of the book's text, bringing the words vividly to life on the screen.

The narrative is elevated by the nuanced performances of the entire cast, with Florence Pugh standing out through her subtle portrayal of a woman torn between reason and faith. This collective effort results in a viewing experience that is quietly cerebral. Even as the film builds towards a dramatic climax, everything remains understated, allowing the characters and their story the space to breathe. It may be a slow burn, but it enriches the narrative with captivating subtext. In an era where many films aim to attract audiences through grand spectacles, "The Wonder" captivates with its quiet confidence in portraying the inner turmoil of its characters. This sets it apart as a distinct cinematic experience that is truly fascinating to witness.

"Who can live on love alone?"

Who are the authors you automatically gravitate towards? I have several favorite writers, ones I consistently delve into primarily due to my familiarity with their writing style. There's a sense of comfort that accompanies this familiarity, making them a reliable choice for my reading. And then there's Emma Donoghue. Ever since I devoured her 2010 novel Room in a single sitting, I've been a devoted reader of her work. However, I can't claim that any of her subsequent books have resembled that groundbreaking novel. In fact, I return to Donoghue's writing precisely because I can never anticipate what to expect. None of her novels share similarities. Despite the certainty that her next book will be entirely distinct from the last, I am confident that her talent for creating vivid settings, engaging plots, and well-developed characters will consistently captivate me. Her latest work, Learned by Heart, adheres to this tradition.

This time, Donoghue embarks on a literary journey to craft a fictionalized narrative centered around the historical figure Anne Lister. Lister is celebrated for her groundbreaking marriage in 1824, which positioned her as one of the earliest openly lesbian women to enter into matrimony.  Beyond her sexual orientation, Lister is celebrated as a prominent diarist, and it's these well-documented writings that Donoghue extensively researched to construct the foundation of her novel. Before her widely known marriage, Lister spent her formative years as a student at a boarding school for young girls in York. It is within this educational institution that Donoghue's novel takes its starting point.

Eliza Raine, born to a prominent Englishman and his Indian lover, finds herself on the periphery at Miss Hargrave's Manor school. Her mixed heritage and orphaned heiress status set her apart from the other girls, making her an outsider in a place where being different is not encouraged. The school's primary mission is to mold its students into proper women of the era, often stifling any hint of creativity or individuality they possess. Eliza appears to have resigned herself to this fate, believing she must conform.

Destiny, however, has other plans in store. Enter Miss Lister, a force of nature who disrupts the established order. Unlike the other girls, she refuses to conform and insists on being called by her last name, akin to how a man would be addressed. She willingly shares the cramped attic room with Eliza, avoiding the company of the other girls. Lister stands as a stark contrast to Eliza, taking pride in her intelligence and her rebellious nature, fearlessly challenging the status quo. Over time, Eliza will be gently drawn out of her shell, forging an unbreakable bond with Lister in the process.

Learned by Heart may be Emma Donoghue's most deeply personal novel to date. In her author's note, she reveals that nearly three decades of research have gone into this work, acknowledging how her fascination with Anne Lister played a pivotal role in launching her professional career. This deep reverence for her characters resonates vividly within her prose. Typical of Donoghue's writing, she skillfully transports readers back in time and space, this time ensconcing them within the cozy confines of an attic bedroom. It's in these scenes of self-discovery within confinement that the narrative truly comes alive. The exploration of forbidden thoughts, transgressing both school rules and societal norms, injects a palpable tension into the storyline. This tension, juxtaposed with the more familiar elements of coming-of-age storytelling, weaves a captivating narrative.

I'll briefly note that outside of these gripping moments, there are instances where the plot seems to lose its momentum. Donoghue's meticulous research is evident, but the monotony of school lessons and games doesn't significantly propel the story forward. Readers may find themselves eagerly awaiting a return to the central love story. Nevertheless, Learned by Heart captivates with its poignant blend of historical fact and exquisitely crafted fiction. It is a brilliant testament to why Emma Donoghue remains one of my all-time favorite authors. I extend my heartfelt thanks to her publisher for providing me with a copy of this remarkable book.

For more information visit the author's website, Amazon, and Goodreads. 

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