Showing posts with label Robert Harris. Show all posts

Friday Flicks: Conclave

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It’s been a while since I’ve done a Friday Flicks post here on the blog. Yes, I’m still watching plenty of movies, but I’ll admit that reviewing them on top of my weekly book coverage can be a bit much. Still, Conclave (2024) has been on my watchlist ever since I saw the trailer. When I found out it was based on a novel by Robert Harris, an author I’ve enjoyed in the past, I decided to read the book first.

I’m glad I did. The novel was a fantastic read, immersing me in the intrigue and tradition surrounding the election of a new pope. With Pope Francis's recent passing and a new conclave about to begin in real life, it felt like the perfect time to finally watch the film adaptation.

Edward Berger’s Conclave is a tense, cerebral thriller that pulls the curtain back on the secretive inner workings of the Vatican. The film immerses viewers in the centuries-old ritual of selecting a new pope following the sudden death of the Holy Father. Cardinal Lomeli (Ralph Fiennes), a man defined by his unwavering faith and moral conviction, is tasked with organizing the sacred proceedings. Though still mourning the loss of his mentor, Lomeli is bound by duty to shepherd the Church through this critical transition.

From the outset, it becomes clear that the conclave, intended to be a solemn, divinely inspired process, is just as vulnerable to earthly vices. Beneath the surface of reverence and ritual lie political machinations, long-held rivalries, and whispered ambitions. As 118 cardinals are locked inside the Vatican to cast their votes, Lomeli uncovers a shocking secret hidden in the late pope’s private correspondence—one with the potential not just to upend the outcome of the election, but to shake the very foundations of the Church itself.

Conclave is a masterful adaptation that faithfully brings its source material to life. Like the novel, the film challenges viewers to contemplate the fine line between divine duty and mortal failings. Ralph Fiennes delivers a quietly powerful performance as Cardinal Lomeli, a man torn between his spiritual obligations and the all-too-human flaws he observes within the Church’s highest ranks. Fiennes plays him with a calm intensity, grounding the film even as its stakes steadily escalate.

The supporting cast is equally impressive. John Lithgow, Stanley Tucci, and Isabella Rossellini all bring gravitas and nuance to their roles, elevating the ensemble. Director Edward Berger approaches the material with a measured, deliberate style, allowing the story’s ethical questions and political intrigue to unfold without flashy distraction. Stéphane Fontaine’s cinematography captures the grandeur and shadowed secrecy of the Vatican with stunning precision. At the same time, Academy Award-winner Volker Bertelmann’s somber score infuses the film with a haunting sense of weight and urgency.

Part political thriller, part spiritual meditation, Conclave is a layered and compelling viewing experience that lingers long after the final scene. As both a fan of the book and someone always on the lookout for smart, gripping cinema, I’m thrilled to say that this Friday Flicks pick more than lived up to expectations.

Conclave by Robert Harris

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Electing a new leader inevitably involves drama. You need only look at the last two weeks of the American Presidential race as evidence. Conniving, opportunism, and tumult are integral to the political process. Even campaigns championing hope and change eventually resort to some negativity. When it comes to electing a new Pope, the leader of the Catholic Church, one might expect a more solemn procedure. The ancient ritual of The Conclave, where the church's cardinals gather under holy seal to select their next leader, is among the most sacred traditions in the church. Nonetheless, it remains a political operation. In his novel Conclave, author Robert Harris delves into the inherent drama of this process, exploring the tension between men's ambition and their sacred duty.

The Pope is dead! The news of the Holy Father's passing spreads rapidly through Vatican City, bringing shock and sorrow to all who hear it. As Dean of the College of Cardinals, Cardinal Lomelli has worked closely with the Supreme Pontiff. Despite the somber news, Lomelli has little time to grieve. He must take on the day-to-day tasks of the Church as the people mourn and attend the Holy Father's funeral. Most crucially, Lomelli must initiate the Conclave, gathering all one hundred and eighteen cardinals to the city to cast their votes for a new Pope.

Behind the closed doors of the Sistine Chapel, the most secretive election in the world commences. These are holy men, bound by their commitment to serving the Lord. Yet, they are still human, burdened by the same failings they preach against. Whether they admit it openly or not, ambition has played a part in their journey. As the first ballots are cast and the race for the papacy heats up, secrets and past indiscretions begin to surface. The future of the faith rests in their hands, and within mere hours, one of them will become the most powerful man in the Catholic Church.

You might not expect a story about electing a new Pope to be completely absorbing, but in the deft hands of Robert Harris, it is precisely that. Harris crafts fully realized characters, each cardinal driven by distinct motivations. Like any political campaign, factions emerge, and alliances form, with differing opinions about the future of the Church fueling the conflict. The interplay between personal ambition and religious duty adds layers of complexity to these men. Can one follow the tenets of their faith while seeking to fulfill personal desires? This question is at the heart of Conclave. Just when you think you know where the story is headed, Harris takes it in a new direction. The ending, in particular, calls into question everything you thought you knew about these men, suggesting that only God can know His true intentions and any man who attempts to speak on His behalf does so in vain. This novel's political and spiritual intrigue thrills not through action but through intellectual contemplation, making for a surprisingly compelling and satisfying read.

For more information, visit the author's website, Amazon, and Goodreads

(2024, 56)


Friday Flicks: The Ghost Writer

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A review of a book to film adaptation.

Former Prime Minister Adam Lang (Pierce Brosnan) runs into difficulties as he attempts to complete his memoirs. His longtime aid turned ghost writer, died in an apparent accident. The publishers scramble to bring in a replacement, as to avoid any delays in publication. Enter Ewan McGregor as the unnamed replacement author, who is tasked with finishing the memoirs in a reduced time-frame, despite his inexperience in writing "political" memoirs.

Due to Lang's scheduled speaking engagements, McGregor's character travels to the small town on Martha's Vineyard where Lang and his entourage are staying. As he begins reading the draft of his predecessor, he is bored by the writing, and realizes that he will have to start the narrative from scratch. During his interviews with Lang, he begins to suspect the Prime Minister of withholding some of the crucial facts from his past. He also begins to question the mysterious death of his predecessor.

Lang's entire team is soon caught off guard by the accusation by his former Foreign Secretary of authorizing the illegal seizure of accused terrorist to be handed over to the American CIA for torture and questioning. This forces Lang to refocus his energy from the memoirs to repairing his reputation and defending himself against the politically harmful accusations.

Of course, controversy sells. It is no surprise then that the publisher requests the memoirs be completed within the coming weeks instead of the original time frame. As the Ghost Writer investigates further into the life of Adam Lang, he begins to uncover inconsistencies in his claims. There are connections between Lang and an American professor (Tom Wilkinson) who is rumored to have worked for the CIA. As the Ghost Writer delves deeper into the life of Adam Lang, his is thrust into a conspiracy that spans nearly four decades. In the end, he must discover the truth behind the lies of Adam Lang before his meets the fate of his predecessor.

The film is based upon the novel The Ghost by author Robert Harris, who also co-authored the screenplay with the film's director, Roman Polanski. This is a taut thriller, with quick pacing, genuine characters, and a twist ending that you won't see coming. The entire film feels cold and disconcerting, in thanks largely to the production design, cinematography, and minimal score. The plot generally stays faithful to that of the fantastic novel, echoing the political allusions to actual Prime Minister Tony Blair and his controversial relationship with the United States. This is a first rate thriller and possibly one of my favorite book to film adaptations.

Have you read the novel or seen the movie? If so, what did you think of it? What book adaptations would you like to see as a future Friday Flicks post?

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