Showing posts with label Joe Hill. Show all posts

Friday Flicks: The Black Phone

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The Black Phone has been one of my most anticipated films of the year since I first heard it was being made. Director Scott Derrickson and his screenwriting partner C. Robert Cargill, of Sinister and Doctor Strange fame, have adapted Joe Hill's short story of the same name into a supernatural horror film that begs to be seen on the big screen. This marked the first time I've gone to see a scary movie in the theater since before the pandemic. I didn't realize how much I missed the communal experience of jumping and laughing together at all the right moments. There's something about being packed together into a theater, communally experiencing a story, that just can't be beaten. 

The film pretty faithfully follows the short story that it's based upon while naturally fleshing out the characters and scenarios into a more well-rounded length. Young Finney (Mason Thames) has watched his community scramble as local children go missing. The Grabber, as the kidnapper has become known, has lured multiple boys into his van. The kids are never seen again. Finney struggles with bullying at school and an abusive, alcoholic father at home. He takes refuge in his sister Gwen (played by a scene-stealing Madeleine McGraw) who has a no-nonsense outlook on life and isn't afraid to fight the kids who pick on her brother. One day as Finney walks home from school, he encounters his worst fear, a black van filled with black balloons and a masked man who has decided to make the boy his next victim. 

When Finney awakens from a chemical-induced haze, he finds himself in a sparse basement, alone save for the very man who put him here. The Grabber (a devilishly demented Ethan Hawke) stares back, his eyes peeking from behind a ghoulish rubber mask. The Grabber promises Finney that he means no harm and that the entire ordeal will be over soon. He disappears into the house above leaving the boy on the bare mattress to contemplate his predicament. Finney is distracted from his own thoughts by the ringing of the antique black phone on the wall next to him. The phone shouldn't be ringing. The cable connecting it to the wall is cut, making the reality he is witnessing impossible. He answers, but no one is there. Little does Finney know that this phone will be the key to him making it out alive. 

I hadn't read Joe Hill's short story since I first encountered it as part of his collection 20th Century Ghost Stories. My reading of it predates the existence of my blog, so it has been well over 10 years. As I watched The Black Phone, I was struck by just how different this is from other horror movies. Yes, there are plenty of scares and moments that are genuinely disturbing, but the filmmakers never spook for the sake of being spooky. Instead, they have drawn authentic characters who are buoyed by clever writing and fantastic performances by a young cast. The result is a film that draws you in by showing its heart. I couldn't help but empathize with the kids, making it easy to root for them to get out of a terrible predicament. Hawkes's performance as the main villain is nothing short of chilling. He imbues The Grabber with a flair of unpredictability and emotional heft that it is really hard to make heads or tails of his intent. This only adds to the suspense. The plot is methodically constructed, though you don't realize it until the big payoff at the end. The Black Phone is everything I want in a movie, especially an adaptation of a short story. There's a great plot, endearing characters, and a terrifying villain, all coming together to make a thoroughly enjoyable film. 

The Fireman by Joe Hill

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"The people in charge can always justify doing terrible things in the name of the greater good."

Over the years, I've become a fan of Joe Hill. His early works, 20th Century Ghost Stories and Horns showed that the young author's imagination could conjure characters and scenarios that were as thought provoking as they were entertaining. I enjoyed his last novel NOS4A2, a genre-bending throwback to the kind of novels that his father is famous for producing, so much, that I was ready to devour anything he could come up with next. The Fireman is a sprawling story written by an author who has full control of his craft.

In the novel, Hill imagines a world that is riddled with a plague. The mysterious Dragonscale first emerges as a topical affliction that causes dark marks to appear on infected peoples' skin. Eventually the infected spontaneously combust. The disease is highly contagious and spreads like wildfire. Harper Grayson, an elementary school nurse who models herself after Mary Poppins, first encounters the disease at her school. As the book opens, she witnesses one of the infected men burst into flames on the school playground. Clearly, this is no Disney movie.

Months later, the disease has evolved into a full on epidemic. Harper finds herself volunteering at the local hospital when a disturbance in the line of infected people waiting to be admitted arises. A fireman dressed in full uniform is holding a small boy and demanding that a doctor see them immediately. Harper steps in to bring order to the situation and to try to help the child in any way that she can. Who is this mysterious fireman and why is he holding this child?

I won't go into much more about the plot, and I would urge you to try to go into the story as blind as possible. With the main focus being Harper Grayson's dealing with the epidemic, The Fireman becomes one woman's tale of survival against all odds. As she faces the horrible reality of a world engulfed in disease and flames, Harper attempts to maintain her morality and personal safety.

Joe Hill's latest novel reminds me why I have enjoyed his previous works so much. He populates the book with imaginative characters whose evolution serves as the book's primary propulsion. At over 700 pages, The Fireman can drag on at times, but the slow burning suspense that permeates the book helped to keep me reading. Echoes Bradbury and Orwell fill the crevices of this tale with cautionary revelations and warnings that are inevitable in a book of this nature. Somehow the book left me wanting something more and equally wishing it had been a bit shorter. Even if the story overstays its welcome, The Fireman is a solid effort by Hill that easily cements his well-deserved place on our bookshelf.

For more information, visit the author's website, Amazon, and Goodreads.

(2017, 16)


Doctor Sleep by Stephen King

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The past always comes back to haunt you. For most of us, this phrase merely expresses the tendency of our actions to have consequences. For Daniel Torrance, however, the haunting is very real. Since the events of Stephen King’s landmark novel The Shining, Danny has grown up. Still, no matter how far he goes or how much time passes, the events of that novel seem to follow. Scarred by the horrors of his past and his constant psychic contact with the living and dead (the shining) around him, Dan has turned to booze to dull his gift.

Following a brief introduction that gives us Danny’s history, we discover him— now going by Dan— at the place where all alcoholics finally find themselves . . .the bottom. Hung-over and broke, Dan makes a decision that will plague him for decades.

After a visit from his childhood imaginary friend Tony, Dan throws away his last bottle of booze and eventually decides to settle in the small town of Frazier, New Hampshire. Assisted by new friends, Dan joins A.A. and gets a job at the local hospice. There, Dan comes to accept his talents and puts them to good use by shepherding the dying across to the afterlife. Word of his late night visits to terminal patients quickly spreads, and he gains the moniker Dr. Sleep.

As the Overlook’s chef Dick Hallorann explained in The Shinning, Dan isn’t the only one with these gifts. Many people possess a spark, and a special few shine like the sun. A few towns over, Abra Stone comes into the world with a light inside of her that makes Dan’s own powers seem like a sputtering candle. This immense power causes her to make a connection with the closest person with a significant amount of Shine, Dan Torrance. While the two slowly foster a relationship based on their shared talents, Abra becomes the subject of someone else’s attention.

The True Knot, an evil group, have existed for centuries, roaming the country’s highways while seeking nourishment and youth in the pain and destruction of those who possess the Shining. When Abra witnesses the True consuming the essence of a young boy, she is not the only one watching. The leader of the True Knot, Rose the Hat notices the unwanted guest. Consumed by desire for the massive power contained within Abra, Rose begins to obsess over the girl and plan her demise.

With nothing but his abilities and a few friends, Dan must protect the young Abra from becoming the prey of the True and try to rid the country and himself of the demons hiding just below the surface.

Let me preface everything I am about to say with this: I enjoyed this book, and thought it was great. Still, I have a few qualms to raise about the book itself and the way it was marketed.

The first and largest problem I have with the book is that I didn’t find it scary. Dr. Sleep was marketed by King and his publisher as, “…a return to balls-to-the-walls, keep-the-lights-on horror…” that the author built his reputation upon. I didn’t find this to be true. Certainly it has scary moments, especially in the beginning, but as I moved to the middle and end of the book, I didn’t feel fear for the characters or myself. At the beginning of the book, I got the sense that Dan is haunted. He constantly sees apparitions that nearly drive him insane. This, combined with the foreshadowing associated with Rose the Hat and her future role to play, made me truly worried for Dan and his wellbeing. As the book moved forward and the “ghostie people” became less common, I began to accept that Dan had things under control. Dan’s control of his Shine was an important point of the novel,  but I wish that Abra could have faced a similar kind of struggle with her own Shining a bit more.

My next complaint is one that I feel plagues many sequels. There was no buildup and ultimate payoff. I felt as if Dan’s abilities were treated merely as a given fact. One of my favorite parts of The Shining was slowly discovering the extent of Danny’s powers and the descent into chaos. I feel that as that story progressed, more and more supernatural things occurred. For example, the Overlook slowly populated itself more and more with spirits over the course of the novel. This buildup is what made The Shining so engrossing. This element combined with a persistent doubt that I had that there were any actual supernatural occurrences. In the original novel, the animal topiaries were never described as moving. Rather, they were simply described as being closer every time you looked back, becoming more and more imposing, closing in on Danny, and blocking him in the playground. This made it all the more terrifying! The entire novel I questioned whether it was ghosts or insanity that drove the story forward. In Dr. Sleep, there is no slow buildup or reveal of supernatural elements, causing what could have been mystery and magic to become predictable and ordinary.

These nitpicking issues aside, I thoroughly enjoyed this book. The writing is magnificent. The pacing, dialogue, and imagery are all on the level that I’ve come to expect from Stephen King. Further, the vast majority of the characters are genuine and fascinating. The evolution of Dan from haunted drunk to recovering alcoholic was extremely well done, and his coming to grips with his life and gifts were expertly portrayed. This combined with his constant internal struggles made Dan my favorite part of the book.

 I also enjoyed the supporting characters. Chief among these are the amazed Dr. John, the fatherly Billy and the witty Concetta. I also thought that Rose the Hat was a great villain. King allowed Rose to express a full spectrum of emotions that elevated her from thing-going-bump-in-the-night to a well rounded, yet despicable monster. Accompanied by a crew of less abominable yet useful attendants, Rose made the True Knot a truly abhorrent band of villains.

Abra is an interesting case for me. I loved that she was allowed to vary in her internal fortitude throughout the book through a juxtaposition of emotion. She was kind, yet cruel, old-at-heart and childish. These fluctuations in character made her one of the most dynamic characters in the novel. I also appreciated how King wrote her with a common sense of invulnerability that most teens and pre-teens experience. Abra very rarely thinks that anyone else can harm her, and I felt that this added a level of realism to her character. Despite this, I feel that she accepted her own shining too easily. Certainly it would be familiar to her as she grew up with it, but she very rarely questioned the origins of her abilities or the fact that no one else seemed to be able to do what she does. If this had been added, I feel as though Abra would have been a slightly deeper character.

Overall, I found that the plot and its many twists and turns made for a thrilling drama. Some aspects of the ending are a tad overly sentimental, but the basic story is solid. There are many exceptional moments of character discovery and internal conflict. While I have expressed some complaints about Dr. Sleep, I still enjoyed reading it. It is a wonderful piece of fiction, if not a masterpiece of terror. I think it portrays not only the progression of time in the characters, but also provides a glimpse of how Stephen King has evolved over the past 35 years. I miss the elements of the old school King novels, but appreciate the growth this story shows and the legacy it continues. I was surprised to realize that Dr. Sleep does a large amount of world building, which is extremely important considering King’s large multiverse. This refers to characters from other novels (Dr. Sleep and The Shining take place in the same world as King’s son’s book NOS4A2). Altogether, I would recommend this book to anyone who is a fan of King’s work, or has read The Shining and wants to continue with that story. I also think that anyone who read NOS4A2 should read both The Shining and Dr. Sleep, as they are related—The Shining more so in tone and Dr. Sleep in plot. While this is not the classic Stephen King novel I hoped for, it serves as a reminder that King is one of the most celebrated and reliable authors of our time.

Review by Brett Schneider

For more information, visit the author's website, Amazon, and Goodreads

(2015, 14)

NOS4A2 by Joe Hill

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Author Joe hill has been on my radar for quite some time. Years ago, I read his fantastic collection of short stories and have been following him ever since. His works usually combine his erie sensibilities with fan-boy pop culture throughout. With the release of his latest novel, NOS4A2, Hill has crafted his largest and most ambitious novel to date.

The story mainly follows the character Victoria McQueen. We first meet young Vic as small child. One day, as her parents argue over a lost bracelet, she discovers her secret power. While riding her bike, she rides over the Shorter Way bridge. She comes out on the other side, in the parking lot of the fast-food joint where she ate with her father, hours before. A bit shocked, she enters the restaurant and finds that her mother's lost bracelet was left there. Quickly she returns, traveling again across the bridge, and gives her parents the bracelet.

Over the next few years, Vic's family life goes downhill. After years of witnessing her father's abuse against her mother, Vic continues to use her bike as a kind of escape. Even after the old Shorter Way bridge is torn down, Vic can still ride her bike across it and end up exactly where she needs to be. Fearing that others won't understand this strange gift, she keeps it secret.

One day, Vic has a huge argument with her mother. Her father has since left the family for a younger woman, and Vic lashes out at her mother for searching her room and invading her privacy. Furious, she  rides off on her bike, over the Shorter Way bridge, and away from her troubles. But this time, she ends up in the clutches of the evil Charlie Manx. Like Vic, he too can conjure alternate worlds by driving in his antique Rolls Royce. Unlike Vic, however, he uses his power to abduct small children and take them to his created world, Christmasland.

Through determination and luck, Vic is able to escape from his morbid "Sleigh House" and, with the help of some local citizens, put Manx into custody. While in prison, Manx enters a deep coma and remains there for many years, all but forgotten.

Fast forward many years, and Vic has a child of her own. Through therapy and various treatments, she has come to terms with her past, and has mostly written off the strange details as childhood fantasy. But all of that changes when Charlie Manx passes away in prison. Of course that in itself is not such a surprise, but the fact that his body then goes missing, after the autopsy, causes a police and media firestorm. But after her experience with Manx, Vic knows what really happened. Manx escaped from the prison and is coming to her for revenge!

At nearly 700 pages, this novel goes into great depth with each character, but never feels long. In fact, this story had me staying up into all hours of the night, just to finish a section. Hill creates flawed characters that you can't help but relate to and root for. The surreal elements of the story are made believable by his detailed descriptions and character reactions. He draws on many elements of pop culture, even devoting part of his mythology to an element from the Harry Potter novels. The juxtaposition of the normal feelings associated with Christmas and the horrific actions that take place at the warped "Christmasland" effectively horrifies and delights at the same time. NOS4A2 is Joe Hill at the top of his game, and I certainly recommend it to anyone looking for a great read.

For more information, visit the author's website, Amazon, and GoodReads.

(2013: week 21, book 19)

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