A year before Steven Spielberg frightened audiences away from beaches with his blockbuster film Jaws, author Peter Benchley was terrifying readers with the book that would inspire the movie. That movie has become so entrenched in our popular culture that Benchley's novel seems to be forever stuck in its shadow. As a fan of the film (I even appreciate the atrocious sequels for the silly fun that they are), I decided to read the book that created the phenomenon.
The peaceful tourist town of Amity is disturbed when the mangled remains of a woman's body washes ashore. There is no denying the cause of death. The woman was clearly attacked by a shark. And from the severity of the wounds, it looks like it was a massive one.
Amity Police Chief Martin Brody is determined to do everything in his power to prevent any further attacks, but he is met with a united resistance from the local political and business leaders. Shutting down the beaches during the peak of summer tourist season would cripple the town's economy and scare away any potential new visitors. Instead the townsmen elect to bring in the expertise of shark guru Matt Hooper. Hooper assures the town that sharks rarely stick around and that any future attacks are highly unlikely. Hooper is wrong.
The resulting hunt is as thrilling and suspenseful as anything I've ever read. The book particularly benefits from being able to show readers the shark's perspective. The plot inches further with an ever present foreboding. Benchley inhabits his story with a variety of townspeople whose motivations add to the complexity of the situation. That being said, I found most of the characters difficult to sympathize with. These are not 'good' people, and most of their troubles are self inflicted. I was particularly troubled by a detailed account of Brody's wife having an affair. This portion did little to advance the main plot or to develop the character. Overall, Jaws the novel is a fun but inconsistent story that never reaches the same depth or excitement of the movie.
For more information, visit the author's website, Amazon, or GoodReads.
(2016, 9)
Showing posts with label Jaws. Show all posts
Jaws by Peter Benchley
Friday Flicks: Jaws
Noted for being the first summer blockbuster, Steven Spielberg's 1975 adaptation of author Peter Benchley's Jaws was a groundbreaking cinematic achievement. A thriller that continues to terrify audiences to this day, Jaws combines a great story with interesting characters and a threatening monster to create an iconic and timeless movie.
The film takes place in the small New England tourist town of Amity Island. The town is shocked when the remains of a young woman who died of an apparent shark attack washed on shore. Police Chief Brody (Roy Scheider) is determined to protect beach-goers from any further attacks, even if that means closing the beaches. Amity's mayor is equally motivated to keep the beaches open, and enlists oceanographer Matt Hooper (Richard Dreyfuss) to examine the remains. But the mayor, sensing a publicity nightmare that would destroy the town's reputation and financial stability, refuses to search for a long term solution to the problem.
When Brody and Hooper discover the remains of another victim, this one with a great white tooth embedded in their boat, they decide to enlist the help of eccentric shark hunter Quint (Robert Shaw). The unlikely trio heads out to hunt the animal and restore peace to their small town. Along the way, they learn that they are not facing any ordinary animal. The shark that is preying on their town is a real monster with only one goal. . . killing any person who comes in contact with it.
Jaws is one of those rare horror films that scares not by shock but by imagination. In fact, many of the scenes that do not show Speilberg's monster are far more terrifying than when we actually get to see it. Composer John William's iconic score instantly creates an ever mounting tension that foreshadows the impending doom of the shark's next victim. Populated with unique characters who each receive a fair amount of development, Jaws becomes the standard for a blockbuster film that succeeds through emotional connections, not purely spectacle. The greatest achievement of this classic movie is the way in which Speilberg trusts his audience to imagine things far scarier than anything he could ever put on the screen. Ultimately, Jaws stands the test of time and remains a highlight of Speilberg's illustrious career.
The film takes place in the small New England tourist town of Amity Island. The town is shocked when the remains of a young woman who died of an apparent shark attack washed on shore. Police Chief Brody (Roy Scheider) is determined to protect beach-goers from any further attacks, even if that means closing the beaches. Amity's mayor is equally motivated to keep the beaches open, and enlists oceanographer Matt Hooper (Richard Dreyfuss) to examine the remains. But the mayor, sensing a publicity nightmare that would destroy the town's reputation and financial stability, refuses to search for a long term solution to the problem.
When Brody and Hooper discover the remains of another victim, this one with a great white tooth embedded in their boat, they decide to enlist the help of eccentric shark hunter Quint (Robert Shaw). The unlikely trio heads out to hunt the animal and restore peace to their small town. Along the way, they learn that they are not facing any ordinary animal. The shark that is preying on their town is a real monster with only one goal. . . killing any person who comes in contact with it.
Jaws is one of those rare horror films that scares not by shock but by imagination. In fact, many of the scenes that do not show Speilberg's monster are far more terrifying than when we actually get to see it. Composer John William's iconic score instantly creates an ever mounting tension that foreshadows the impending doom of the shark's next victim. Populated with unique characters who each receive a fair amount of development, Jaws becomes the standard for a blockbuster film that succeeds through emotional connections, not purely spectacle. The greatest achievement of this classic movie is the way in which Speilberg trusts his audience to imagine things far scarier than anything he could ever put on the screen. Ultimately, Jaws stands the test of time and remains a highlight of Speilberg's illustrious career.
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