A Book A Week

She sits in the dark—cold, alone, afraid—waiting.

He used to open the door. He would bring her food, yes, but it was that brief slice of light she craved most. A reminder that the outside world still existed, even if the girl she once was did not.

But then he stopped coming.

A few days passed. Then a few more. Hunger gnawed. Silence pressed in. And slowly, dread settled into certainty. He was never coming back.

So she remained there in the dark, chained to the wall, surrounded only by the others—the girls who came before her, the ones who never left.

Audrey never stopped searching for her ex–best friend, Janie. They were only teenagers when Janie vanished, but the shock of her disappearance sent ripples through every corner of Audrey’s adult life. When she’s not teaching at the local high school, Audrey volunteers with search-and-rescue teams—part devotion, part penance, as if finding someone else might somehow atone for not finding Janie.

But when a search for a runaway girl uncovers evidence of a possible kidnapping, long-buried secrets and old traumas begin to surface. Audrey is forced to finally reckon with the truth she’s avoided for years and to confront what really happened to Janie.

I didn’t need to read the synopsis to know I’d be picking up The Girls Before, the latest from Kate Alice Marshall. She became a must-read for me after What Lies in the Woods and A Killing Cold, so my expectations were high. Still, the premise of this standalone thriller immediately hooked me.

Marshall employs shifting perspectives between the trapped girl and the woman searching for answers, a structure that creates an early sense of urgency and dread. The opening is undeniably gripping. But as the story unfolds, that momentum begins to thin. There are the bones of a compelling thriller here, but elements like the folkloric legend and a romantic subplot pulled attention away from the central mystery. 

By the time the major twist arrived, I’d already pieced it together and found myself more ready for the conclusion than surprised by it. Even so, Marshall’s ability to craft suspenseful scenarios and emotionally driven stakes remains as strong as ever. While this one didn’t resonate with me as much as her previous novels, it won’t stop me from eagerly picking up whatever she writes next.

For more information, visit the author's website, Amazon, and Goodreads. 

(2026, 16)

Meeting the family is nerve-wracking in any new relationship, but it's downright suffocating for Theodora Scott. And why wouldn’t it be? Her fiancé, Connor Dalton, belongs to the notoriously wealthy and secretive Dalton family. Their whirlwind romance has gone from a chance meeting at one of Theo's art shows to an engagement in just six months, and now she’s traveling to Idlewood, the Daltons’ isolated winter retreat, to meet the family for the first time. Theo knows the stakes are high. She's determined to prove she’s in this for love, not their fortune.

But something isn’t right. Theo has received anonymous text messages for weeks warning her to stay away from Connor. Dismissing them as pranks, she steels herself to make a good impression. Yet the moment she steps into Idlewood, Theo can’t shake the uneasy feeling creeping over her. The family’s frosty reception is bad enough, but then there’s the unsettling familiarity of the place. Strange footprints appear outside her window. A disused cabin on the property hides something impossible: a photo of Theo as a child, taken at Idlewood. Theo barely remembers her earliest years, but the splintered memories that emerge point to secrets someone in the Dalton family is desperate to keep hidden. As Theo inches closer to uncovering the truth, she realizes she’s not just an outsider trying to win their approval—she’s a threat. And the Daltons will do anything to protect their legacy, even if it means silencing her forever.

Kate Alice Marshall has built a reputation for crafting atmospheric thrillers that keep readers on edge, and her latest, A Killing Cold, is no exception. After making her mark in YA fiction, Marshall broke into adult thrillers with the exceptional What Lies in the Woods, a gripping mystery that delved into the perils of memory and generational trauma. I thoroughly enjoyed that novel and was thrilled to receive a copy of this newest standalone from the publisher. From the first chapter, Marshall establishes a sense of creeping unease. Theo, our protagonist, feels like she’s wading into waters far deeper than she’s prepared for, and it quickly becomes apparent that she’s harboring secrets of her own. As her fiancé’s family secrets come to light, the narrative twists into a tangled web of deceit, ensuring no character—and no reader—is left entirely sure of the truth.

I alternated between reading and listening to the audiobook, and Karissa Vacker’s narration was, as always, a highlight. Her voice brought a chilling immediacy to Theo’s mounting paranoia and the story’s steadily escalating tension. Marshall expertly keeps the reader slightly off balance, just enough to ensure that when the big reveals come, they land with maximum impact. The pacing is relentless, ramping up as threats grow more urgent, culminating in a genuinely shocking conclusion. With A Killing Cold, Marshall proves once again that she’s a master of the winter thriller, delivering an irresistible blend of atmosphere, suspense, and twists. She’s quickly becoming one of my must-read authors.

For more information, visit the author's website, Amazon, and Goodreads. 

(2025, 11)

As a young child, Naomi Shaw found magic in the woods. The otherworldliness of the surroundings and the infectious spirit of the place completely engrossed her imagination. What began as the germ of an idea soon became something more tangible. Naomi recruited her best friends, Cassidy and Olivia, to join her in the woods. The trifecta practiced their Goddess Game, conjuring their own version of magic. The treetops transforming into a grand cathedral ceiling became the home of their spiritual ceremony. The summer of wonder was soon interrupted by a brutal attack. A man invaded their place in the woods. Naomi was stabbed 17 times but lived to identify her attacker. The man was charged with her attempted murder and the killings of 6 other young women. The girls were heroes. 

Years later, Naomi is still haunted by the trauma of that fateful summer in the woods. The scars on her face are a physical reminder of the tragedy she endured. The real trauma, however, isn't something that can be seen. It's the guilt that she's harbored ever since she identified the man who attacked her. The attacker's death in his jail cell reopens old wounds, forcing Naomi and the other girls to grapple with what they did. You see, they lied about seeing him attack on that fateful night. Now they'll have to reckon with the truth of what really happened deep within the woods. 

In What Lies in the Woods, Kate Alice Marshall conjures a tale of childhood innocence, generational trauma, and the complexities of the criminal justice system. Her publisher provided me with a copy of the book to listen to, and I was pleased to see that Karissa Vacker was narrating. Her reading of the work perfectly captured Marshall's atmospheric prose, allowing the characters and their chilling story to whisper off of the pages. Marshall employs a past/present perspective through shifting chapters that reveal bits of the truth in tantalizingly suspenseful bites. I'd be remiss if I didn't mention that one of the characters in this book was named Ethan, the second book that I've read in a row to do so. I always get a kick out of that! Overall, the book unfolds at a deliberate pace, allowing the characters the room they need to come to terms with their chilling transgressions. I was completely thrilled by What Lies in the Woods. 

For more information visit the author's website, Amazon, and Goodreads. 

(2023, 5)